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	<title>Comments on: Review: Juno</title>
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	<link>http://gatewaycinephiles.com/2007/12/27/review-juno/</link>
	<description>Appreciation and Criticism of Cinema Through Heartland Eyes</description>
	<pubDate>Fri, 18 May 2012 07:40:55 +0000</pubDate>
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		<title>By: Gateway Cinephiles &#187; Blog Archive &#187; Film Diary: Juno</title>
		<link>http://gatewaycinephiles.com/2007/12/27/review-juno/comment-page-1/#comment-69</link>
		<dc:creator>Gateway Cinephiles &#187; Blog Archive &#187; Film Diary: Juno</dc:creator>
		<pubDate>Thu, 29 May 2008 01:26:13 +0000</pubDate>
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		<description>[...] â€œI am a Kraken from the sea!â€ I defy the backlash, and I stand by my original review. Iâ€™ll be damned if Juno doesnâ€™t actually improve on a second viewing. The first fifteen minutes are definitely the weakest, but Iâ€™m still amazed at how well the filmâ€™s bumper crop of seductive performances and Reitmanâ€™s unseen, under-appreciated hand hold up six months later. (Dare I invoke the recently late Sydney Pollackâ€™s precise, poignant comedic direction in Tootsie? I dare.)    Leave a Comment [...]</description>
		<content:encoded><![CDATA[<p>[...] â€œI am a Kraken from the sea!â€ I defy the backlash, and I stand by my original review. Iâ€™ll be damned if Juno doesnâ€™t actually improve on a second viewing. The first fifteen minutes are definitely the weakest, but Iâ€™m still amazed at how well the filmâ€™s bumper crop of seductive performances and Reitmanâ€™s unseen, under-appreciated hand hold up six months later. (Dare I invoke the recently late Sydney Pollackâ€™s precise, poignant comedic direction in Tootsie? I dare.)    Leave a Comment [...]</p>
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		<title>By: Libby</title>
		<link>http://gatewaycinephiles.com/2007/12/27/review-juno/comment-page-1/#comment-8</link>
		<dc:creator>Libby</dc:creator>
		<pubDate>Fri, 28 Dec 2007 03:28:15 +0000</pubDate>
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		<description>Andrew leaves out the fantastic soundtrack, partially populated with classic indie music like The Velvet Underground, Mott the Hoople, The Kinks, and Buddy Holly of all artists. 

The standout tracks are largely acoustic wonders written and performed by Kimya Dawson and her band, The Moldy Peaches. The songs are sparkling and clean, full of strange lyrical twists and catchy hooks.  

One particular Moldy Peaches song, "Anyone Else But You" becomes a sort of theme song for the relationship Juno shares with Paulie.  The song seems to meander a bit, but then again, so does their relationship. 

The opening song, "All I Want is You," performed by Barry Louis Polisar, is a delightfully jangly welcome to Juno's world.</description>
		<content:encoded><![CDATA[<p>Andrew leaves out the fantastic soundtrack, partially populated with classic indie music like The Velvet Underground, Mott the Hoople, The Kinks, and Buddy Holly of all artists. </p>
<p>The standout tracks are largely acoustic wonders written and performed by Kimya Dawson and her band, The Moldy Peaches. The songs are sparkling and clean, full of strange lyrical twists and catchy hooks.  </p>
<p>One particular Moldy Peaches song, &#8220;Anyone Else But You&#8221; becomes a sort of theme song for the relationship Juno shares with Paulie.  The song seems to meander a bit, but then again, so does their relationship. </p>
<p>The opening song, &#8220;All I Want is You,&#8221; performed by Barry Louis Polisar, is a delightfully jangly welcome to Juno&#8217;s world.</p>
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