Gateway Cinephiles

3-Minute Intro: The Cannonball Run

Screened: September 1, 2008
Format: DVD - HBO (2001)
Selected By: Grant

When Korean War veteran Hal Needham came to Hollywood in the 1950s to work as a stuntman, he had no intention of transforming action filmmaking. Needham quickly developed a strong reputation for his stunt work in television Westerns, parlaying his success into film. Eventually progressing to stunt coordination and second unit direction, Needham was regarded as one of the industry’s chief innovators by 1976, when he approached friend Burt Reynolds with a script called Smokey and the Bandit. The film was an enormous hit for both the director and star, a feat they replicated in 1981 with The Cannonball Run, a camp ensemble comedy celebration of auto racing and Hollywood excess.

Back in 1976, there had been two films—the action feature Cannonball! and the comedy The Gumball Rally—based on a real-life outlaw cross-country auto race, the Cannonball Baker Sea-To-Shining-Sea Memorial Trophy Dash. Run five times between 1971 and 1979, the Dash was legendary in Needham’s racing and stunt circles for having no rules save the specified starting and end point. With The Cannonball Run, the director undeniably created the race’s most widespread cultural legacy, going so far as to integrate notorious events from past Dashes into the film’s plot.

Cannonball was a part of Reynolds’ unparalleled 1978-1982 domination of the American box office, although his collaborations with Needham and other B-movie fare had by 1981 somewhat diminished his reputation in the eyes of audiences and directors. However, dismissing Cannonball, or any Needham film, as shallow misses the point. The director always intended his films to be joyful tributes to his heroes and the things he loved, particularly fast cars. Despite its broad, engaging cast of comedy fixtures, rising stars, and Hollywood has-beens—including Roger Moore parodying his contemporary James Bond role—Needham’s focus is on the vehicles, which he films with the devoted attention that only an enthusiast can bring. Ultimately, the film’s frisky character ensures The Cannonball Run’s status, not merely as a 1981 cultural artifact, but also one of the great Hollywood chase films. It’s a character embodied in its roguish disdain for law enforcement and its enthusiasm for a competition where nothing is at stake but bragging rights.