
My annual year-in-review feature is up at Look/Listen. Check it out. You’ll discover the cinema that was great, good, overrated, and worth another look in 2011.

My annual year-in-review feature is up at Look/Listen. Check it out. You’ll discover the cinema that was great, good, overrated, and worth another look in 2011.

My review of Tomas Alfredson’s Tinker Tailor Soldier Spy is up at Look/Listen. Check it out.

If you pick up the December 2011 issue of St. Louis Magazine and turn to page 184, you’ll find an interview with director, writer, producer, and all-around Hollywood titan Steven Spielberg. Improbably, this interview was conducted by yours truly. (Crazy, right?) You can also click over to Look/Listen to read the full version of the interview, which includes much more about Spielberg’s two new films that arrive in December, War Horse and The Adventures of Tintin, and about casting, history, story-boarding, shooting on location, and more. I managed to not embarrass myself too much and even snuck in a questions about Jaws. Check it out.

My latest Festival-related piece at Look/Listen is on Bill Haney’s new documentary feature, The Last Mountain. Check it out.

My latest Festival-related piece at Look/Listen is on Uruguayan director Federico Veiroj’s new feature, A Useful Life. Check it out.

Consistent with years past, I’ll be providing daily coverage of the upcoming St. Louis International Film Festival here at Gateway Cinephiles. In addition, I’ll be previewing select Festival films over at Look/Listen this week. Kicking off things today is my piece on Missouri film-maker Black Eckard’s new micro-budget feature, Bubba Moon Face. Check it out.

My review of Göran Ollson’s The Black Power Mixtape 1967-1975 is up at Look/Listen. Check it out.

My review of Lech Majewski’s The Mill and the Cross is up at Look/Listen. Check it out.

The fellow in the above screenshot (the monster on the left, not the suspiciously plastic-looking policeman on the right) is the titular Aztec monster from Larry Cohen’s cult classic Q. I mount something akin to a defense of the film’s merits at Look/Listen in anticipation of next week’s screening from the Webster University Film Series.